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Freeform · Original Series
Three decades · tens of thousands of placements
Find out why your songs aren't getting placed — and exactly how to fix it.
Bring 3 of your songs. In 60 minutes, you'll know exactly what's wrong, how to fix it, and how to make your music usable for TV, film and streaming. We break down arrangement, mix, edit points, energy and real-world placement fit. No guesswork.
3 Songs. 60 Minutes. $100.
Arrangement
structure & dynamics
Mix balance
space for picture
Edit points
where music breathes
Brief fit
what it can land
Past sync work
Tracks that came out of this room and went into the world.
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Peacock · Original Series
Bel-Air
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The CW · Drama Series
All American: Homecoming
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TNT · Drama Series
Claws
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ABC · News Magazine
20/20
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Bravo · Competition Series
Top Chef
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Disney · Original Series
Saturdays
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NBC · Comedy Series
Grand Crew
Music from this room has been placed across
Three Decades. Tens of Thousands of Placements.
Network television. Cable. Streaming. Film. Trailers.
HBONetflixApple TV+HuluFXAMCDisney+SpotifyYouTubeShowtime
Real placements. Not theory.
TV networks
Music placed in broadcast and cable television programming.
Indie & studio film
Tracks used in feature films and independent productions.
Streaming editorial
Music selected for digital platforms and online content.
Trailer houses
High-impact music built for promos, trailers and campaigns.
The hard truth
Why your music isn't getting placed.
Most tracks don't get placed because of the same five issues — over and over. This is exactly what we fix.
- The intro takes too long to engage
- There are no clean edit points
- The structure doesn't support visual storytelling
- The energy doesn't translate on screen
- The track isn't built for real sync use
What we listen for
Not a course. A direct breakdown.
This isn't a course. This isn't generic feedback. This is a direct breakdown of your actual music. We analyze your tracks the same way they're evaluated for real placements — and show you exactly what needs to change.
Arrangement & structure
Where your intro, drop and bridge sit relative to picture pacing — and which sections actually need to exist.
Mix decisions
Vocal vs. instrumental balance, low-end management, headroom, stems-readiness for editors and music supervisors.
Edit points & cutdowns
Where the song breathes for dialogue, natural 15/30/60s cuts, alt versions worth bouncing.
Brief fit & pitch readiness
Honest read on what's library-ready, what's trailer-bait and what still needs a re-track before sending out.
Stop guessing. Start fixing.
Once slots are filled, booking closes.
Results from the room
Real notes from creators who walked in unsure and walked out with a plan.
"Walked in with three demos, walked out with a clear cutdown plan and a brief checklist. Two of those songs are now in trailer libraries."
Chase Aaron
Singer/Songwriter · Inland Empire
"The edit-point notes alone were worth the session. My next pitch landed an indie film placement within four weeks."
Suzanna Shidlovsky
Singer · Los Angeles
"I finally understood why my songs weren't landing. Sync Ed gave me language for the room. Total game-changer."
Savanna Gibson
Singer · Los Angeles
Coming soon · Private beta
Meet Sync AI.
Your songs, scored before they hit the room.
Automated sync readiness scoring, arrangement and mix analysis, edit-point detection, 15s/30s/60s cutdown generation and metadata tagging — trained on the same playbook that's earned tens of thousands of placements.
- Sync readiness score
- Edit-point detection
- Cutdown drafts
- Metadata tagging
Track · "Coastline"
Sync readiness
87
Arrangement92
Mix balance81
Edit points78
Brief fit90
Preview · numbers illustrative
You don't need more music. You need the right structure.
Sync Ed shows you exactly how to make your music placement-ready.